Carter (or rather: Kato) tries to present itself as a one-shot-film, but it is not quite the Korean Hardcore Henry. There is little effort hiding the supposedly invisible cuts, of which there are *many*. The ever-flying shaky camera drone is busy...

Gratuitous hyper violence eye candy!

For me, Carter feels like a Hardcore Henry re-mix, with a Korean flavour. This is run and gun, beat em, cut em up, style of film, with a video game vibe. It worked with Hardcore Henry but somehow this one just doesn't quite pull it off. I thi...